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Symphony No 11

Catalogue Number: TROY060
Availability: In Stock

Price: £10.00

The Albany Symphony Orchestra, conducted by George Lloyd
Recorded in Troy Music Hall, New York State.

George Lloyd wrote this vigorous, tuneful, thoroughly tonal and communicative symphony when he was in his early seventies.

It is a large-scale work, its five movements adding up to just a shade under an hour. It shows that the composer found that he could still be questing and original within the limits of his natural, tonal style. His initial idea was to see how he could extend the range of sounds and variety of meanings he had been writing. He started with vague sound ideas which became more specific as he thought about them and worked out ideas and the structure to put them in. (This, by the way, is not at all an uncommon way for many composers to work.)

The two outer movements, at over fifteen minutes each, are the longest. The first movement is fiery and violent. The songful second movement is an antidote, with a flowing melody for violins against soft brass. The third movement is a dance, the fourth a funeral march. The final movement "is the light at the end of the tunnel we hope one day to see," as the composer explained.

This disc is *** recommended by the Penguin Guide to Compact Discs

Reviews:  

...It is a marvellous work, in every way at the very least equalling his earlier symphonies; and these are gradually becoming a contribution of the first magnitude. The whole is most beautifully played.   Gramophone 
...A profound, original and well structured work, beautifully recorded by the Albany Symphony Orchestra, displaying a fearsome range of emotions, not unlike the Fourth. It is another long work but gripping in its intensity and beauty. It may turn out to be one of his most performed pieces, because of its depth and originality.  Weekend Telegraph

....Written in a shapely, five-movement arch form , the Eleventh is simply chock-full of memorable tunes, arresting gestures, and brilliant orchestration. The idiom is unashamedly romantic in its grandeur and sweep, and in its concentration on the expression of human emotion.... Classics Today